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Local Remix | Assembly – Nillumbik’s artist colonies, residencies and the Collection

BACK TO EXHIBITIONS

Event Start & End Dates

Start Date: June 26, 2026
End Date: July 16, 2026

WHEN | 26 June – 16 August 2026
WHERE | Barn Gallery, Residents Gallery & Wood Workshop
OPENING | Thursday 25 June 6:30pm – 8pm

 

www.nillumbik.vic.gov.au/Local-Remix-Assembly

Exhibition Opening

Local Remix | Assembly – Nillumbik’s artist colonies, residencies and the Collection

Local Remix: Assembly features collected works from Nillumbik’s artist colonies and residencies. Engage with works by 60 artists from Baldessin Press, Dunmoochin, Garambi Baanj (Laughing Waters) and Montsalvat.

 

Artists: Penelope Aitken, Rick Amor, Ashe, George Baldessin, G.W. Bot, Mirranda Burton, Alice Blanch Chehovski, August Carpenter, Jock Clutterbuck, Nicholas Currie, Bruce Davidson, Geoffrey Davidson, Jack Davidson, Chelle Destefano, Tess Edwards, Sue Ford, Silvi Glattauer, Lloyd Godman, Karena Goldfinch, Amanda Grant, Deborah Halpern, Melinda Harper, Siri Hayes, Lorraine Heller-Nicholas and Katherine Soutar, Phillip Howe, Kate Hudson, Brendan Huntley, Hilary Jackman, Christine Johnson, Heja Jung (Chong), Margot Knox, Helen Laycock, Peter Laycock, Michael Leunig, Fionna Madigan, Jenni Mitchell, Leanne Mooney, David Moore, Daniel Moynihan, John Neeson, John Nixon, John Olsen, Jill Orr, Mary-Lou Pittard, Clifton Pugh, Nusra Latif Qureshi, Cameron Robbins, Leon Saper, Jan Senbergs, John Serle, Alma Shanahan, Lesley Sinclair, Myra Skipper, Sonia Skipper, Katie Stackhouse, Imants Tillers, Peter Wegner, Frank Werther, John Wolseley

 

Free Workshops:

Grant Writing for Artists and Arts Organisations with Auspicious Arts | Wednesday July 15, 7pm
Join Auspicious Arts Projects for an engaging and informative grant writing workshop hosted by Senior Client Manager/Team Leader Hannah Strout at Auspicious Arts Projects. This workshop is tailored for artists and arts organisations who are either new to grant applications or seeking to brush up on their skills.
Phillip Howe ‘Connecting to Country’ | Sunday 28 June, 10.30pm in the Barn Gallery

 

BOOK HERE

Join artist Phillip HOWe in this free school holiday workshop designed for primary school-aged children.
This collaborative, immersive workshop encourages participants to closely observe and respond to natural materials and patterns found in Country. Using leaves, bark, stones, feathers, sticks and other found objects, kids will explore texture, mark-making, tracing, pattern and form through drawing and painting processes. The workshop aims to encourage creativity, observation, connection and sensory engagement with the natural environment.
Recommended for ages 8–12 this school holidays.
BOOK HERE

 

 

Nicholas Currie ‘Drawing through movement’ | Thursday July 9 10.30-12, Barn Gallery
Learn to draw through movement in this free workshop for children this school holidays
with Local Remix Artist Nicholas Currie.
BOOK NOW

 

 

The Artists

Hannah Strout is an arts administrator and producer with a passion for supporting young and emerging artists. She has extensive experience across festivals and youth arts, producing and facilitating workshops, live performances, tours, and festival programs. As Senior Client Manager and Team Leader at Auspicious, Hannah works with a diverse range of artists across multiple artforms, supporting the development and delivery of creative projects. She provides strategic and administrative guidance to help artists realise their work and build sustainable creative practices.

Phillip HOWe is a Naarm (Melbourne)-based multidisciplinary artist working across sculpture, printmaking, painting and installation. His practice unfolds through an intuitive dialogue with Country, where reclaimed materials, bold forms and rhythmic mark-making give rise to works that explore connection, memory and transformation. Drawing on his Celtic and Indigenous heritage, HOWe creates a distinctive visual language shaped by the textures, energies and cycles of the natural world. His work spans intimate works on paper to large-scale public commissions across Victoria.

Nicholas Currie is an artist and curator working with painting, sculpture and performance. Currie is from the Mununjali clan of the Yugambeh language group, with connection to Kuku Yalanji, and currently lives on Wurundjeri Country in Naarm/Melbourne. Humour and kindness are undercurrents to the major themes addressed in his works: contemporary Indigenous perspectives, hauntology and exploration of identity within current Australia.

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    Acknowledgement of Country

    Montsalvat Artist Community acknowledges the Wurundjeri people of the Kulin Nation, the traditional owners of the land and waters on which our community is located. We pay respect to their elders past and present, and recognise the rich traditions and continuing creative cultures of all Aboriginal and Torres Strait Islander peoples of Australia.

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    Emma Rose

    Emma is heavily inspired by the natural world in material and form. She collects her own clay and utilises natural found materials in both her clay bodies and glaze.

    Emma has a Bachelor’s degree in Ceramics from RMIT and has practiced and trained in Japan, Indonesia and Taiwan under various teachers. She is passionate about woodfiring, learning traditional techniques and practicing throwing as a meditative task.

    Madelyn Mckenzie

    Madelyn McKenzie is a Ceramic Artist who specialises in sculpture. Madelyn’s sculptures are inspired by Victorian architecture and wrought iron fences as well as life experiences delving into childhood and escapism. Madelyn is a teacher at Montsalvat and is completing her Bachelor of Fine Arts at RMIT majoring in Ceramics. She loves teaching children and helping students expand on their sculpting skills and ideas.

    Siena Hyland

    Growing up in Nillumbik has offered Siena a world of inspiration for working with clay. First practicing in the studio of Judy Trembath as a child, Siena has been at Montsalvat for over four years, as a student and junior tutor.

     Siena’s work is inspired by the interplay of earth and fire in the landscape and potter’s craft. Currently studying integrative psychotherapy, Siena finds joy in sharing the immersive experience of clay.

    Keiko Matsui

    Keiko has over 20 years’ experience working in ceramics, initially moving to Australia in 1999 from Japan and completing a Bachelor of Fine Art (Honours) degree in 2006 at the National Art School in Sydney.

    She has been teaching ceramics for adults and children in Sydney since 2007, including a porcelain technique courses at Hornsby TAFE, NSW. Keiko’s way of teaching is student focused; she observes each student’s needs and teaches them individually with her Osakan sense of humour and smile.

    Keiko is also a studio artist at Montsalvat and you can find some of her beautiful work in the Montsalvat Shop.

    Mary-Lou Pittard

    Mary-lou has worked in her Eltham Studio as a professional potter for over 35 years.  She is a well known local identity through her community involvement, as an artist in residence with local schools, working with the Nillumbik Shire on large scale ceramic murals and smaller class room projects.

    Mary-lou produces brightly coloured stoneware ceramics in her studio/gallery established at her home. Her work can also be admired & purchased at the Montsalvat Shop.

    Mary-lou aims to create an energizing and creative haven for you at Clay Talk, where you can explore and develop your hand-building skills.

    Tracey Hollis

    Tracey Hollis majored in ceramics in the 1990s whilst studying fine arts at James Cook University and QUT in Queensland.

    Tracey has been teaching pottery in Eltham and Box Hill for the past 7 years at Community Arts Centre’s as well as through her own studio and loves the functionality of wheel thrown and hand built pottery. She enjoys seeing the positive benefits that working with clay provides and loves helping others learn and express their creativity through pottery.

    Tracey appreciates the importance of the creators hand marks on pottery and takes inspiration from Asian and European influences as well as noted Australian potters such as Owen Rye and John Dermer.

    Yuso Lee

    Yuso has taught all levels and ages how to throw and hand build over her 20+ year career.  Yuso is originally from Korea.  She graduated with a Bachelor of Arts in Ceramics in Korea and a Diploma of Ceramics from Holmesglen College of TAFE in Melbourne.  She has lived and taught in Australia since 2005.

    Yuso gets inspiration for her ceramic arts from inner emotions and the environment she lives in. She works the clay into ceramic pieces that reflect her inner feelings. Other part of her ceramic art is the building series. These represent her urban surroundings. Yuso reflects Melbourne city views at dusk in the form of ceramic pieces.

    Sergei Shatrov

    Sergei began his life with ceramics at Cooma TAFE NSW in 1993 before moving onto the Australian National University’s Canberra School of Arts under Janet De Boos, Anita Macintyre, Hiroe Swen and Greg Daly in 2003. Since then he has studied and worked in ceramic workshops and studios in Seto Japan, Minnesota, Northern California and North Carolina.

    Sergei’s aesthetic and influences also come from various Asian traditions and philosophies. With many a story to tell in his adventures of clay, Sergei is a passionate advocate for discovering the self through the beauty and function of form at all skill levels.

    Jessie Pittard

    Jessie Pittard is a passionate printmaker and ceramicist. Growing up with both parents involved with ceramics, she has spent her life immersed in clay. Her studies and technical training as a printmaker at RMIT have influenced her approach.  Within her practice Jessie enjoys exploration and experimentation of form, design and process in both her functional ware as well as her sculptural works.

    Jessie has been running her ceramic business from her studio in Eltham. You can find some of Jessie’s functional ceramics at the Montsalvat shop.

    Josephine Cassar

    Josephine is a local and long time ceramic artist of Eltham with a great gift in making and understanding functional ceramic ware. Of European extraction and with decades of experience, Josephine’s skill in understanding how to make functional ware and using the right glazes is second to none. Well respected locally, Josephine is an excellent teacher ceramics teacher and someone you will thoroughly enjoy as a beginner or more experienced pottery/ceramic maker.

    Sasha “Tatts” Tattam

    Tatts, an artist with a strong background and expertise in mosaic sculpture, has embarked on an artistic journey enriched by a deep understanding of biophysical and chemical materialism philosophies. Through her dedication, she has discovered a captivating passion for working with clay, exploring the intricate realms of glaze chemistry and pushing the boundaries of experimental kiln practices.

    Currently in her final year pursuing a Bachelor’s degree in Ceramics at RMIT, Tatts goes above and beyond by curating and producing captivating art exhibitions. Her commitment extends to fostering a sense of community through her involvement with local art collectives in the vibrant north inner city of Melbourne.

    Rob Matheson

    From an early age I have felt driven to express myself through visual art. This, together with a passion for nature in its many and varied forms especially gems and minerals, have always offered great inspiration for my work, which entails both painting and sculpture. An artistic temperament coupled with a strong scientific interest and a sense of wonder for the way the world is ordered has led me to experiment with a range of media including both two and three dimensions.

    Over a number of years I have been involved in various community arts projects and school residencies. I have been an artist in residence for a number of years at Beaconhills College in Pakenham. I have completed an artist in residence at Scotch College at Hawthorn involving the students to produce two ceramic totem poles depicting Australian nocturnal birds and animals. Prior to this I was also an artist in residence at Yarra Valley Grammar involving the Year 9 students.

    I see my art as a vehicle for life long learning, and as a means of sharing the knowledge through teaching. I gain an immense sense of satisfaction in being able to help and encourage others through art. In summary, I consider my art as a journey of discovery with no perceptible end. A process of continual development and exchange of ideas and as a way of making a positive contribution to the human condition.