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Women of Montsalvat – Victorian Women’s Public Art Program

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Event Date

Start Date: 01/05/2025
End Date: 31/01/2026
Organiser: Montsalvat
Women of Montsalvat Exhibition

Women of Montsalvat – Victorian Women’s Public Art Program

Montsalvat is proud to be one of six chosen organisations for the Victorian Women’s Public Art Program. As part of this program, the Women of Montsalvat project aims to uncover the untold stories of the women who contributed to the construction, arts practice, and culture of our unique artist community. The stories we uncover will ultimately contribute to the creation of a sculpture to sit at the entrance of Montsalvat in celebration of our founding women artists.

Montsalvat is the oldest continuous artistic colony in Australia. It was established in 1934; a time when the Australian arts community was dominated by men. Defying the cultural expectations of their day, it was women artists who were instrumental in purchasing the land Montsalvat is built on, participating in erecting the buildings, and establishing a more inclusive artistic community.

What do we know about the founding women artists who lived and worked at Montsalvat in the 1930s to the 1950s?

They were painters, builders, jewellers, ceramicists, weavers, singers, stone carvers, printmakers, photographers, writers, models, cooks, entrepreneurs. Above all, they were women who looked for a way to live creatively on their own terms, in a time that made such a choice nearly impossible.

Over the next few weeks, sculpture designer Amanda Grant and researcher Sarah Hammond will be concluding their historical research into the lives and works of these women. The sculpture will be designed and built in the second half of 2025 and launched in February 2026. Singer/songwriter Cath Rutten will be composing music based on the lives of the women of Montsalvat and will perform at the sculpture launch in February.

 

Women of Montsalvat – Studio Restoration

As part of the Women of Montsalvat project, Amanda Grant and Cath Rutten are restoring the Sculpture Studio, the very space where the sculptural work at the heart of this project will be created.

The Sculpture Studio and its adjoining storage room, both mudbrick buildings, are in need of some care. Drawing on traditional methods documented by Sonia Skipper who, alongside many of the women of Montsalvat, played a vital role in constructing Montsalvat’s buildings and embellishments, Amanda and Cath will be bringing these spaces back to life.

Their process includes brushing away loose particles, carefully patching holes and cracks with mud and render, and finishing with Sonia Skipper’s traditional limewash recipe.

 

The final step, limewashing, will take place during Montsalvat’s Spring Gathering on September 28th. Join us to witness this living demonstration of mudbrick restoration, carried out in the spirit of the extraordinary women who shaped Montsalvat.

Sunday 28th September 2pm – Spring Sing! @ Montsalvat
Come to Montsalvat’s Spring Gathering and take part in a group singing circle – enjoy learning a couple of tunes – no experience needed just bring yourself and enjoy the open studios and art workshops

 

Story Gathering

We are seeking information from people who knew or have a connection to the women who were fundamental to the founding and development of Montsalvat, predominantly between 1934 and 1960.

Information may be in the form of historical facts, family stories, anecdotes or memories, photographs, art works, jewellery, mementos, newspaper clippings, documents or journals. Of interest is anything that might give an insight into the quirks, personalities and creative works of the women of Montsalvat. Tall tales and stories of questionable historical truth that might illustrate their unique characters are welcome.

The women we are learning about so far include: Lily Jörgensen, Lena Skipper, Helen Skipper, Sonia Skipper, Sue Vanderkelen, Helen (Nell) Lempriere, Lesley Sinclair, Myra Skipper, Betty Roland, Heather George and Vida Joy Turner.

It is highly likely that there are other significant women in the history of Montsalvat. Any information about women we are not yet aware of would be welcomed.

If you have a lot of material to share, or do not wish to share your material via the form above, Sarah and Amanda would love to hear from you. Please email them at womenofmontsalvat@gmail.com to organise a private meeting in person, online or by phone.

TELL YOUR STORY

About Butterfly Studio

Butterfly Studio are designing and running Montsalvat’s consultation sessions. Butterfly Studio was created to address the far-reaching effects of the Black Saturday bushfires of 2009 on the community of Christmas Hills and its neighbours. The Studio’s role continues today, both in a community engagement capacity, and as a thriving community art studio.

Butterfly Studio’s all-women consultancy team is comprised of community and cultural development experts, professional artists, community art project managers, practicing art therapists and professional writers and editors.

Butterfly Studio creates environments where discussion can be open and honest and where imagination is sparked and nurtured. Their events are always designed to include an arts activity or creative experience for participants.

 

About Singing Herspace

Cath Rutten, who will be performing at the in-person consultations, is a multi-disciplinary artist, singer/songwriter and educator based in North Warrandyte. In the past several years she has focussed her song writing on telling the invisible stories of women in our history through her project Singing Herspace. Over the course of this year, Cath will be using the women of Montsalvat research as inspiration for a new musical composition to be performed at Montsalvat in 2026.

 

The Victorian Women’s Public Art Program is funded by the Victorian Government’s Community Support Fund and run in partnership with McClelland Sculpture Park + Gallery. McClelland supports contemporary artists to develop, create and present their work, and manages a range of programs to commission artwork. The Victorian Women’s Public Art Program aims to address the issue of women being systematically underrepresented in public life, with their achievements and contributions historically overlooked.

Montsalvat would like to thank The Hon. Natalie Hutchins MP, Minister for Women, the Victorian State Government and McClelland Gallery for this opportunity.

Victorian Women’s Public Art Program | vic.gov.au 

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    Montsalvat Artist Community acknowledges the Wurundjeri people of the Kulin Nation, the traditional owners of the land and waters on which our community is located. We pay respect to their elders past and present, and recognise the rich traditions and continuing creative cultures of all Aboriginal and Torres Strait Islander peoples of Australia.

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    Emma Rose

    Emma is heavily inspired by the natural world in material and form. She collects her own clay and utilises natural found materials in both her clay bodies and glaze.

    Emma has a Bachelor’s degree in Ceramics from RMIT and has practiced and trained in Japan, Indonesia and Taiwan under various teachers. She is passionate about woodfiring, learning traditional techniques and practicing throwing as a meditative task.

    Madelyn Mckenzie

    Madelyn McKenzie is a Ceramic Artist who specialises in sculpture. Madelyn’s sculptures are inspired by Victorian architecture and wrought iron fences as well as life experiences delving into childhood and escapism. Madelyn is a teacher at Montsalvat and is completing her Bachelor of Fine Arts at RMIT majoring in Ceramics. She loves teaching children and helping students expand on their sculpting skills and ideas.

    Siena Hyland

    Growing up in Nillumbik has offered Siena a world of inspiration for working with clay. First practicing in the studio of Judy Trembath as a child, Siena has been at Montsalvat for over four years, as a student and junior tutor.

     Siena’s work is inspired by the interplay of earth and fire in the landscape and potter’s craft. Currently studying integrative psychotherapy, Siena finds joy in sharing the immersive experience of clay.

    Keiko Matsui

    Keiko has over 20 years’ experience working in ceramics, initially moving to Australia in 1999 from Japan and completing a Bachelor of Fine Art (Honours) degree in 2006 at the National Art School in Sydney.

    She has been teaching ceramics for adults and children in Sydney since 2007, including a porcelain technique courses at Hornsby TAFE, NSW. Keiko’s way of teaching is student focused; she observes each student’s needs and teaches them individually with her Osakan sense of humour and smile.

    Keiko is also a studio artist at Montsalvat and you can find some of her beautiful work in the Montsalvat Shop.

    Mary-Lou Pittard

    Mary-lou has worked in her Eltham Studio as a professional potter for over 35 years.  She is a well known local identity through her community involvement, as an artist in residence with local schools, working with the Nillumbik Shire on large scale ceramic murals and smaller class room projects.

    Mary-lou produces brightly coloured stoneware ceramics in her studio/gallery established at her home. Her work can also be admired & purchased at the Montsalvat Shop.

    Mary-lou aims to create an energizing and creative haven for you at Clay Talk, where you can explore and develop your hand-building skills.

    Tracey Hollis

    Tracey Hollis majored in ceramics in the 1990s whilst studying fine arts at James Cook University and QUT in Queensland.

    Tracey has been teaching pottery in Eltham and Box Hill for the past 7 years at Community Arts Centre’s as well as through her own studio and loves the functionality of wheel thrown and hand built pottery. She enjoys seeing the positive benefits that working with clay provides and loves helping others learn and express their creativity through pottery.

    Tracey appreciates the importance of the creators hand marks on pottery and takes inspiration from Asian and European influences as well as noted Australian potters such as Owen Rye and John Dermer.

    Yuso Lee

    Yuso has taught all levels and ages how to throw and hand build over her 20+ year career.  Yuso is originally from Korea.  She graduated with a Bachelor of Arts in Ceramics in Korea and a Diploma of Ceramics from Holmesglen College of TAFE in Melbourne.  She has lived and taught in Australia since 2005.

    Yuso gets inspiration for her ceramic arts from inner emotions and the environment she lives in. She works the clay into ceramic pieces that reflect her inner feelings. Other part of her ceramic art is the building series. These represent her urban surroundings. Yuso reflects Melbourne city views at dusk in the form of ceramic pieces.

    Sergei Shatrov

    Sergei began his life with ceramics at Cooma TAFE NSW in 1993 before moving onto the Australian National University’s Canberra School of Arts under Janet De Boos, Anita Macintyre, Hiroe Swen and Greg Daly in 2003. Since then he has studied and worked in ceramic workshops and studios in Seto Japan, Minnesota, Northern California and North Carolina.

    Sergei’s aesthetic and influences also come from various Asian traditions and philosophies. With many a story to tell in his adventures of clay, Sergei is a passionate advocate for discovering the self through the beauty and function of form at all skill levels.

    Jessie Pittard

    Jessie Pittard is a passionate printmaker and ceramicist. Growing up with both parents involved with ceramics, she has spent her life immersed in clay. Her studies and technical training as a printmaker at RMIT have influenced her approach.  Within her practice Jessie enjoys exploration and experimentation of form, design and process in both her functional ware as well as her sculptural works.

    Jessie has been running her ceramic business from her studio in Eltham. You can find some of Jessie’s functional ceramics at the Montsalvat shop.

    Josephine Cassar

    Josephine is a local and long time ceramic artist of Eltham with a great gift in making and understanding functional ceramic ware. Of European extraction and with decades of experience, Josephine’s skill in understanding how to make functional ware and using the right glazes is second to none. Well respected locally, Josephine is an excellent teacher ceramics teacher and someone you will thoroughly enjoy as a beginner or more experienced pottery/ceramic maker.

    Sasha “Tatts” Tattam

    Tatts, an artist with a strong background and expertise in mosaic sculpture, has embarked on an artistic journey enriched by a deep understanding of biophysical and chemical materialism philosophies. Through her dedication, she has discovered a captivating passion for working with clay, exploring the intricate realms of glaze chemistry and pushing the boundaries of experimental kiln practices.

    Currently in her final year pursuing a Bachelor’s degree in Ceramics at RMIT, Tatts goes above and beyond by curating and producing captivating art exhibitions. Her commitment extends to fostering a sense of community through her involvement with local art collectives in the vibrant north inner city of Melbourne.

    Rob Matheson

    From an early age I have felt driven to express myself through visual art. This, together with a passion for nature in its many and varied forms especially gems and minerals, have always offered great inspiration for my work, which entails both painting and sculpture. An artistic temperament coupled with a strong scientific interest and a sense of wonder for the way the world is ordered has led me to experiment with a range of media including both two and three dimensions.

    Over a number of years I have been involved in various community arts projects and school residencies. I have been an artist in residence for a number of years at Beaconhills College in Pakenham. I have completed an artist in residence at Scotch College at Hawthorn involving the students to produce two ceramic totem poles depicting Australian nocturnal birds and animals. Prior to this I was also an artist in residence at Yarra Valley Grammar involving the Year 9 students.

    I see my art as a vehicle for life long learning, and as a means of sharing the knowledge through teaching. I gain an immense sense of satisfaction in being able to help and encourage others through art. In summary, I consider my art as a journey of discovery with no perceptible end. A process of continual development and exchange of ideas and as a way of making a positive contribution to the human condition.