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Being part of the Montsalvat team means belonging to its unique and inspiring community. We are committed to providing a positive, inclusive work environment.

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STUDIO TECHNICIAN

Montsalvat is one of Australia’s oldest continuously active artistic communities, a unique cultural precinct spanning more than ninety years of creative practice across heritage buildings, artist studios, galleries, performance spaces and five hectares of gardens in Eltham.

Clay Talk Ceramic Centre sits within the grounds of Montsalvat and is one of the most dynamic and thriving parts of the organisation. A hands-on studio since 2013, it serves over 100 students each week across term classes, workshops and open studio programs for adults, young people and children.

With the growth and demands of the studio, Clay Talk is now focused on consolidating its programs and strengthening its identity as a vibrant creative hub within Montsalvat. This role represents a great opportunity to help shape that next chapter from the ground up.

We are seeking an energetic, experienced and highly capable Studio Technician to drive the hands-on, practical functions of the studio.

This is not a desk-based studio management role.

The successful applicant will work closely with the Manager of Arts Education, teachers, students, partners and internal teams to deliver a hands-on and efficient approach to keeping the studio running: kilns fired, floors clean, clay reclaimed and materials stocked.

For the right person, this is a genuinely hands-on opportunity: a role for someone equally comfortable at the pug mill or in a room full of young makers, who takes pride in a well-run studio, brings real energy to the space and wants to be part of this growing community of makers.

This role may particularly appeal to applicants seeking to be involved with a dynamic art studio and community, with a view to helping it continue to grow.

ABOUT THE ROLE

The Studio Technician will:

  • Load, fire and unload electric and gas kilns safely and to schedule.
  • Regularly lift and move heavy loads, including kiln furniture, front-loading kilns, and packing and unpacking wood kilns.
  • Operate reduction firing processes and manage atmosphere control on gas kilns.
  • Diagnose and troubleshoot electric and gas kiln faults, and carry out or coordinate repairs.
  • Maintain accurate firing records, kiln logs and incident reports.
  • Keep kiln furniture, shelves and props clean, maintained and correctly stored.
  • Maintain a clean, safe and well organised studio at all times.
  • Pressure wash studio floors weekly or as required.
  • Pug and reclaim clay as part of regular studio maintenance.
  • Receive, unpack and store deliveries of clay and materials, including heavy lifting.
  • Monitor equipment and promptly report any issues to the Manager of Arts Education.
  • Assist with glaze production, batch mixing and material preparation.
  • Apply a working knowledge of glaze chemistry to diagnose and resolve glaze faults.
  • Work confidently in a busy, shared studio environment alongside students and classes.
  • Be comfortable working in dusty, wet and physically demanding conditions.
  • Hold a current Working With Children Check (WWCC) (mandator

 

ABOUT YOU

You may come from a trade, production, technical or hands-on labour background, including ceramics, manufacturing, construction, technical services, maintenance or similar physically active environments.

You will likely bring:

  • A background in a trade, production, technical or hands-on labour role.
  • Experience managing reclaimed clay processes and operating a pug mill.
  • Strong communication skills and a collaborative, community-minded approach.
  • The ability to work independently, follow schedules and manage competing physical demands.
  • Confidence working under the direction and supervision of the Manager of Arts Education.
  • Confidence working in a busy, shared environment with students and classes around you.

 

Experience within a working ceramics or production studio will be highly regarded, and experience as a long-term practising ceramic artist is highly desirable.

ABOUT THE TEAM & CULTURE

Montsalvat has a deeply committed and unusually connected staff culture. The team is energetic, collaborative and highly motivated by the future potential of the organisation and the significance of the site itself.

This is a workplace where people care deeply about the artistic community, the built environment and the long-term future of the organisation. There is a strong sense of shared purpose, adaptability and creative possibility.

MORE INFORMATION

Remuneration is a casual rate of $36–42 per hour (inclusive of casual loading), depending on qualifications and experience, plus superannuation as per current legislation.

To apply

Applications should be submitted in writing to admin@montsalvat.com.au by 14 August 2026, addressing the selection criteria and including contact details for referees.

Applications close: Friday 14 August 2026.

APPLY NOW

Internships

Whilst Montsalvat doesn’t have a formal internship program, we welcome expressions of interest about opportunities that may occur.

Please send any enquiries through to montsalvat@montsalvat.com.au

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Montsalvat could not operate without the dedication and support of our wonderful volunteers. Learn more about volunteering opportunities at Montsalvat.

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    Acknowledgement of Country

    Montsalvat Artist Community acknowledges the Wurundjeri people of the Kulin Nation, the traditional owners of the land and waters on which our community is located. We pay respect to their elders past and present, and recognise the rich traditions and continuing creative cultures of all Aboriginal and Torres Strait Islander peoples of Australia.

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      Emma Rose

      Emma is heavily inspired by the natural world in material and form. She collects her own clay and utilises natural found materials in both her clay bodies and glaze.

      Emma has a Bachelor’s degree in Ceramics from RMIT and has practiced and trained in Japan, Indonesia and Taiwan under various teachers. She is passionate about woodfiring, learning traditional techniques and practicing throwing as a meditative task.

      Madelyn Mckenzie

      Madelyn McKenzie is a Ceramic Artist who specialises in sculpture. Madelyn’s sculptures are inspired by Victorian architecture and wrought iron fences as well as life experiences delving into childhood and escapism. Madelyn is a teacher at Montsalvat and is completing her Bachelor of Fine Arts at RMIT majoring in Ceramics. She loves teaching children and helping students expand on their sculpting skills and ideas.

      Siena Hyland

      Growing up in Nillumbik has offered Siena a world of inspiration for working with clay. First practicing in the studio of Judy Trembath as a child, Siena has been at Montsalvat for over four years, as a student and junior tutor.

       Siena’s work is inspired by the interplay of earth and fire in the landscape and potter’s craft. Currently studying integrative psychotherapy, Siena finds joy in sharing the immersive experience of clay.

      Keiko Matsui

      Keiko has over 20 years’ experience working in ceramics, initially moving to Australia in 1999 from Japan and completing a Bachelor of Fine Art (Honours) degree in 2006 at the National Art School in Sydney.

      She has been teaching ceramics for adults and children in Sydney since 2007, including a porcelain technique courses at Hornsby TAFE, NSW. Keiko’s way of teaching is student focused; she observes each student’s needs and teaches them individually with her Osakan sense of humour and smile.

      Keiko is also a studio artist at Montsalvat and you can find some of her beautiful work in the Montsalvat Shop.

      Mary-Lou Pittard

      Mary-lou has worked in her Eltham Studio as a professional potter for over 35 years.  She is a well known local identity through her community involvement, as an artist in residence with local schools, working with the Nillumbik Shire on large scale ceramic murals and smaller class room projects.

      Mary-lou produces brightly coloured stoneware ceramics in her studio/gallery established at her home. Her work can also be admired & purchased at the Montsalvat Shop.

      Mary-lou aims to create an energizing and creative haven for you at Clay Talk, where you can explore and develop your hand-building skills.

      Tracey Hollis

      Tracey Hollis majored in ceramics in the 1990s whilst studying fine arts at James Cook University and QUT in Queensland.

      Tracey has been teaching pottery in Eltham and Box Hill for the past 7 years at Community Arts Centre’s as well as through her own studio and loves the functionality of wheel thrown and hand built pottery. She enjoys seeing the positive benefits that working with clay provides and loves helping others learn and express their creativity through pottery.

      Tracey appreciates the importance of the creators hand marks on pottery and takes inspiration from Asian and European influences as well as noted Australian potters such as Owen Rye and John Dermer.

      Yuso Lee

      Yuso has taught all levels and ages how to throw and hand build over her 20+ year career.  Yuso is originally from Korea.  She graduated with a Bachelor of Arts in Ceramics in Korea and a Diploma of Ceramics from Holmesglen College of TAFE in Melbourne.  She has lived and taught in Australia since 2005.

      Yuso gets inspiration for her ceramic arts from inner emotions and the environment she lives in. She works the clay into ceramic pieces that reflect her inner feelings. Other part of her ceramic art is the building series. These represent her urban surroundings. Yuso reflects Melbourne city views at dusk in the form of ceramic pieces.

      Sergei Shatrov

      Sergei began his life with ceramics at Cooma TAFE NSW in 1993 before moving onto the Australian National University’s Canberra School of Arts under Janet De Boos, Anita Macintyre, Hiroe Swen and Greg Daly in 2003. Since then he has studied and worked in ceramic workshops and studios in Seto Japan, Minnesota, Northern California and North Carolina.

      Sergei’s aesthetic and influences also come from various Asian traditions and philosophies. With many a story to tell in his adventures of clay, Sergei is a passionate advocate for discovering the self through the beauty and function of form at all skill levels.

      Jessie Pittard

      Jessie Pittard is a passionate printmaker and ceramicist. Growing up with both parents involved with ceramics, she has spent her life immersed in clay. Her studies and technical training as a printmaker at RMIT have influenced her approach.  Within her practice Jessie enjoys exploration and experimentation of form, design and process in both her functional ware as well as her sculptural works.

      Jessie has been running her ceramic business from her studio in Eltham. You can find some of Jessie’s functional ceramics at the Montsalvat shop.

      Josephine Cassar

      Josephine is a local and long time ceramic artist of Eltham with a great gift in making and understanding functional ceramic ware. Of European extraction and with decades of experience, Josephine’s skill in understanding how to make functional ware and using the right glazes is second to none. Well respected locally, Josephine is an excellent teacher ceramics teacher and someone you will thoroughly enjoy as a beginner or more experienced pottery/ceramic maker.

      Sasha “Tatts” Tattam

      Tatts, an artist with a strong background and expertise in mosaic sculpture, has embarked on an artistic journey enriched by a deep understanding of biophysical and chemical materialism philosophies. Through her dedication, she has discovered a captivating passion for working with clay, exploring the intricate realms of glaze chemistry and pushing the boundaries of experimental kiln practices.

      Currently in her final year pursuing a Bachelor’s degree in Ceramics at RMIT, Tatts goes above and beyond by curating and producing captivating art exhibitions. Her commitment extends to fostering a sense of community through her involvement with local art collectives in the vibrant north inner city of Melbourne.

      Rob Matheson

      From an early age I have felt driven to express myself through visual art. This, together with a passion for nature in its many and varied forms especially gems and minerals, have always offered great inspiration for my work, which entails both painting and sculpture. An artistic temperament coupled with a strong scientific interest and a sense of wonder for the way the world is ordered has led me to experiment with a range of media including both two and three dimensions.

      Over a number of years I have been involved in various community arts projects and school residencies. I have been an artist in residence for a number of years at Beaconhills College in Pakenham. I have completed an artist in residence at Scotch College at Hawthorn involving the students to produce two ceramic totem poles depicting Australian nocturnal birds and animals. Prior to this I was also an artist in residence at Yarra Valley Grammar involving the Year 9 students.

      I see my art as a vehicle for life long learning, and as a means of sharing the knowledge through teaching. I gain an immense sense of satisfaction in being able to help and encourage others through art. In summary, I consider my art as a journey of discovery with no perceptible end. A process of continual development and exchange of ideas and as a way of making a positive contribution to the human condition.